A Guide to the Lakes

2.8

In the late eighteenth century, English writers discovered the landscape, not only in the paintings of Claude Lorrain, Nicolas Poussin and Salvator Rosa, but also as a place to be visited and viewed as if it were a picture. No part of England was more discovered in this period than the Lake District, which was transformed over the course of the next century from a remote region of farmland and inaccessible hills into a wild and romantic landscape of picturesque lake and mountain, described in works such as Thomas West’s A guide to the Lakes (1778). West’s predecessors – Thomas Gray, Arthur Young, Thomas Pennant and William Hutchinson –had merely passed through the Lakes. West, a resident of the Lakes, took the reader on a tour of the district as a whole, visiting all the lakes, with the sole exception of Wastwater. A devotee of the Claude glass – a convex, tinted mirror in which the landscape appears as it might in a painting by Lorrain – West follows and improves upon Gray’s technique of identifying ‘stations’ from which the landscape would appear at its most picturesque. West’s guide remains something of a hybrid, however, with its lengthy antiquarian descriptions of the surrounding towns of Lancaster, Penrith and Kendal. - Summary by Phil Benson

Chapitres

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Introduction 18:42 Lu par Phil Benson
Lancaster 42:18 Lu par Phil Benson
Coniston 13:22 Lu par Phil Benson
Windermere 23:13 Lu par Phil Benson
Ambleside 13:51 Lu par Phil Benson
Keswick 41:09 Lu par Phil Benson
Bassenthwaite Water 14:24 Lu par Phil Benson
Buttermere, &c. 12:19 Lu par Phil Benson
Lowes Water 16:29 Lu par Phil Benson
Ullswater 15:32 Lu par Phil Benson
Hawes Water 6:36 Lu par Phil Benson
Penrith 13:22 Lu par Phil Benson
Kendal 15:49 Lu par Phil Benson
Addenda 7:49 Lu par Phil Benson