RKO Orson Welles - The Shadow - radio recordings
Experience 33 radio recordings of RKO's The Shadow, featuring Orson Welles as the main character between 1937 and 1938. This unique portrayal showcases a cultural icon stepping into a genre role, a rarity in the 1930s.
The program, adapted from a popular pulp magazine series, follows Lamont Cranston, a wealthy young man who uses his hypnotic powers to become an Invisible Avenger known as The Shadow. Welles played this dual role during his time on the Mutual Network's legendary superhero radio program.
Initially, it was believed that the summer series sponsored by Goodrich Safety Silver-Town Tires had only 15 episodes. However, a complete collection of recordings was discovered, revealing that the series actually consisted of 26 episodes, including 11 that had not been heard since their original airing.
This recording is part of the Old Time Radio collection.
Chapitres
Select a chapter to play
| Death House Rescue | 57:38 | |
| Murder By The Dead | 29:34 | |
| The Temple Bells of Neban | 32:04 | |
| The Three Ghosts | 31:24 | |
| Circle of Death | 28:01 | |
| The League of Terror | 31:20 | |
| Sabotage | 30:45 | |
| The Society of the Living Dead | 31:47 | |
| The Poison Death | 28:01 | |
| The Phantom Voice | 31:09 | |
| The House of Horror | 24:00 | |
| Hounds in the Hills | 29:05 | |
| The Plot Murder | 29:20 | |
| The Bride of Death | 30:46 | |
| The Silent Avenger | 30:51 | |
| The White Legion | 28:14 | |
| Power of the Mind | 29:02 | |
| The Hypnotized Audience | 26:32 | |
| Death from the Deep | 25:57 | |
| Firebug | 28:46 | |
| The Blind Beggar Dies | 23:02 | |
| Power of the Mind | 29:02 | |
| White God | 29:04 | |
| Aboard the Steamship | 28:04 | |
| Murders in Wax | 23:18 | |
| Message from the Hills | 24:33 | |
| The Creeper | 27:45 | |
| Tenor with a Broken Voice | 29:02 | |
| Murder on Approval | 27:30 | |
| The Tomb of Terror | 55:48 | |
| Death Under the Chapel | 25:23 | |
| The Caverns of Death | 25:02 |
Critiques
Bret Morrison was the definite Shadow
justaskmike
I'll have to agree with Shadows Girl that Bret Morrison was by far the best Shadow on radio. He had that right quality for the Lamont Cranston man about town air and yet when he did the Shadow, his delivery was menancing but not theatrical or campy. If you listen to Orson Welles on his Black Mueum program, his pausing between words or lines for effect is a bit stagy.The Shadow was meant to be melodramtic and not at all classic stage drama. Grace Mathews and Gertrude Werner probably had to keep from laughing when they delivered their "plkeae spare me spelech" to the maniacal villian just before the Shadow interved. My favorite lines were the closing "The Weed of Crime Bear Bitter Fruit." This backedu up by the image of a coal furnance burning Blue Coal symbolizing the fires of hell and perdition drove home the themme of obeying the law very well to young innocent minds.
Good for people new to otr.
Hanguard
Ive listened to many many episodes of the shadow. I liked it very much at first but then after a while I noticed most of the episodes were very generic to each other. Heres things that were similar in each episode. The shadow rarely saved innocent people from death. He does though at the very last minute save one person, at the end of each episode. Anyways, margo must be psycho. Cranston and her always joke in the end of an episode after a one or two deaths happened. Of course, each episode starts with them back to normal, and orson welles would want them to both be jolly so the listeners dont get bored. Another similarity that mostly always happens if margo asks him "but how do you get in" (referring to get into a building of some sort) and Cranston answered something like "As the shadow". It happens in lots of episodes which makes margo quite a stupid character. Another poorly written review by me (just wanted to explain my problems with the show) I give this show 4 stars because it had interesting characters. The plot twists were easily guessable but nevertheless its good. This is a must for otr listeners even if it has its cons.
The Creeper
Quigs
albie , if you look the Shadow and the shadow in this case is played by Bill Johnstone and listen to Death Stalks the Shadow; your answer to the broadcast will answered. I had that record of Benny in my love of OTR. I wanted to hear the entire episode but Benny only whet your whistle. You will have closure.
Poor Sound Quality
Chucktr
BIG fan of the Archive! One recent disappointment: Downloaded "Caverns of Death" (Summer program 15, 1938). Unfortunately not sure which collection. Played it on iPod connected to my 1936 Philco. Sound very muddy. Could only understand about 60%. I assume there are other episodes (maybe versions?) that have been restored...?
great program
Shadows_Girl
Orson was "okay" as the Shadow. Personally I think my Uncle Bret was miles better. But there it is. But just to clear something up: Orson did not PRODUCE any of these shows. He just played the role.
RKO
BoldVenturePress
I don't believe RKO had anything to do with The Shadow ... Street & Smith was the owner/publisher of the character's pulp magazine. The radio program was broadcast over the Mutual Network.
The Shadow is the best
qrper
...especially with Orson Welles playing the feature role. What a baratone voice for a young fellow. Love that theme music, the early version. And Blue coal, I remember my father ordering it in the late 1940's. Thank you very much for uploading so many great eposodes.
THE Shadow
A LibriVox Listener
the shadow is one of the best shows ever